{"id":28543,"date":"2015-08-26T14:05:38","date_gmt":"2015-08-26T14:05:38","guid":{"rendered":"http:\/\/www.mfm.it\/\/?p=28543"},"modified":"2015-11-25T11:26:44","modified_gmt":"2015-11-25T11:26:44","slug":"over-100-artists-celebrating-great-mother","status":"publish","type":"post","link":"https:\/\/www.mfm.it\/en\/weekly-pick\/over-100-artists-celebrating-great-mother\/","title":{"rendered":"Over 100 artists celebrating the Great Mother"},"content":{"rendered":"<p class=\"MsoNormal\"><span style=\"font-family: 'book antiqua', palatino; font-size: medium;\"><span style=\"mso-bidi-font-family: Arial; background: white; mso-ansi-language: EN-US;\" lang=\"EN-US\">Works of art by<span class=\"apple-converted-space\">&nbsp;<\/span><strong>127 internationally famous artists <\/strong><\/span><em><span style=\"background-color: white; background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">and an exhibition layout that will cover some 2000 square meters<\/span><\/em><em><span style=\"background-color: white; background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">on the piano nobile of Palazzo Reale<\/span><\/em><span style=\"mso-bidi-font-family: Arial; background: white; mso-ansi-language: EN-US;\" lang=\"EN-US\">.<strong>The Great Mother, from August 26<\/strong><span class=\"apple-converted-space\">&nbsp;to <\/span><\/span><span style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\">November 15 2015<em style=\"mso-bidi-font-style: normal;\">, <em><span style=\"background-color: white; background-position: initial initial; background-repeat: initial initial;\">is an exhibition about women\u2019s power: not just the life-giving creative power of mothers, but above all, the power denied to women and the power won by women over the course of the twentieth century.<\/span><\/em><span class=\"apple-converted-space\"><span style=\"background: white; mso-bidi-font-style: italic;\">&nbsp;<\/span><\/span><\/em><span style=\"background: white;\">The exhibition is a<span class=\"apple-converted-space\">&nbsp;<\/span><strong>collaboration between the public and private<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>sectors to bring contemporary art into Palazzo Reale, the city\u2019s most prestigious exhibition venue, as the pivotal event on the Expo in Citt\u00e0 calendar for the second half of Expo 2015 in Milan.&nbsp;<\/span><\/span><span style=\"line-height: 1.538em;\">The exhibition has been curated by Massimiliano Gioni, conceived and produced by<\/span><span style=\"line-height: 1.538em;\">&nbsp; <\/span><strong style=\"line-height: 1.538em;\">Fondazione Nicola Trussardi <\/strong><span style=\"line-height: 1.538em;\">in partnership with <\/span><em style=\"line-height: 1.538em;\">Palazzo Reale per Expo in citt\u00e0<\/em><span style=\"line-height: 1.538em;\"> 2015. <\/span><span style=\"line-height: 1.538em;\">The histories of art and culture has often centered on the figure of the mother: from the Venuses of the Stone Age to the bad girls of the post feminist era, and through centuries of religious works depicting innumerable maternity scenes.<span class=\"apple-converted-space\">&nbsp;<\/span>Starting from motherhood, The Great Mother explores the transformation of sexuality, of genres and the perception of the body and its desires.<\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family: 'book antiqua', palatino; font-size: medium;\"><span style=\"background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">The show will open with a presentation of the<span class=\"apple-converted-space\">&nbsp;<\/span><strong>archive<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>of<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Olga Fr\u00f6be-Kapteyn<\/strong>, who throughout her life, starting in the Thirties, gathered <strong>thousands of images of female idols, mothers, matrons, Venuses and prehistoric deities<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>into a vast iconographic collection that was used by<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Carl Gustav Jung<\/strong><strong>,<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span><strong>Erich Neumann<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>and many other psychologists and anthropologists researching the<span class=\"apple-converted-space\">&nbsp;<\/span><strong>archetype of the great mother<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>and the matriarchal cultures of prehistory.<\/span><span style=\"background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">A<span class=\"apple-converted-space\">&nbsp;<\/span><strong>major section<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>of the exhibition will focus on<span class=\"apple-converted-space\">&nbsp;<\/span><strong>women in the early avant-garde movements<\/strong>, specifically, in<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Futurism, Dada, and Surrealism<\/strong>.<\/span><span class=\"apple-converted-space\"><span lang=\"EN-US\">&nbsp;&nbsp;<\/span><\/span><span style=\"line-height: 1.538em;\" lang=\"EN-US\">The study of the<span class=\"apple-converted-space\">&nbsp;<\/span><strong>position of women within Futurism<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>is explained with works by<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Benedetta<\/strong>,<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Umberto Boccioni<\/strong>,<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Giannina Censi<\/strong>,<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Valentine De Saint-Point<\/strong>,<strong> <strong>Filippo Tommaso Marinetti<\/strong><\/strong>. The rooms dedicated to<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Dada<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>will concentrate on the birth of the myth of the automated,<span class=\"apple-converted-space\">&nbsp;<\/span><strong>mechanical woman,<\/strong><span class=\"apple-converted-space\">&nbsp;from the bachelor machines of Marcel Duchamp, Picabia and Man Ray, to the irreverent performances of <\/span><\/span><span class=\"apple-converted-space\" style=\"line-height: 1.538em;\"><span lang=\"EN-US\">&nbsp;<\/span><\/span><strong style=\"line-height: 1.538em;\"><span lang=\"EN-US\">Baroness Elsa von Freytag-Loringhoven. <\/span><\/strong><span style=\"line-height: 1.538em;\" lang=\"EN-US\">Surrealism\u2019s<span class=\"apple-converted-space\">&nbsp;<\/span><strong>fascination with women<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>will be analyzed through an extraordinary presentation of fifty original collages <\/span><span style=\"line-height: 1.538em;\" lang=\"EN-US\">from<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Max Ernst<\/strong>\u2019s <em>The Hundred Headless Woman<\/em>,<span class=\"apple-converted-space\">&nbsp;<\/span>shown alongside the works and documents of<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Andr\u00e9 Breton<\/strong>,<span class=\"apple-converted-space\">&nbsp; <\/span><\/span><span style=\"line-height: 1.538em;\" lang=\"EN-US\">Hans Bellmer, Salvador Dal\u00ec,<\/span><span style=\"line-height: 1.538em;\" lang=\"EN-US\"> and others.<span class=\"apple-converted-space\">&nbsp;<\/span><\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family: 'book antiqua', palatino; font-size: medium;\"><span style=\"background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">The<span class=\"apple-converted-space\">&nbsp;<\/span><strong>conceptual epicenter<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>of the<span class=\"apple-converted-space\">&nbsp;<\/span><strong>second part of the exhibition<\/strong><span class=\"apple-converted-space\">&nbsp;<\/span>will be a selection of works by<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Louise Bourgeois<\/strong>,who assimilated and transformed the influence of Surrealism, melding it with references to archaic cultures, to create a<span class=\"apple-converted-space\">&nbsp;<\/span><strong>personal mythology of extraordinary symbolic power<\/strong>. <\/span><span style=\"background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">Many women artists who emerged in the Sixties and Seventies, like<\/span><span lang=\"EN-US\">Magdalena Abakanowicz, Ida Applebroog and Lynda Benglis, to continue with works by<\/span><span lang=\"EN-US\">Cindy Sherman and Rosemarie Trockel, active since the Eighties. From <\/span><span style=\"background-position: initial initial; background-repeat: initial initial;\" lang=\"EN-US\">The Nineties, the now-legendary series of<span class=\"apple-converted-space\">&nbsp;<\/span><strong>Rineke Dijkstra, who <\/strong>portrays mothers and their children a few hours after birth.<\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family: 'book antiqua', palatino; font-size: medium;\"><span style=\"line-height: 1.538em;\">The exhibition will be rounded out by other important contributions, including installations by<\/span><span class=\"apple-converted-space\" style=\"line-height: 1.538em;\">&nbsp;<\/span><strong style=\"font-family: Cambria; font-size: 12pt; line-height: 1.538em;\">Jeff Koons<\/strong><span style=\"line-height: 1.538em;\">,<\/span><span class=\"apple-converted-space\" style=\"line-height: 1.538em;\">&nbsp;<\/span><strong style=\"font-family: Cambria; font-size: 12pt; line-height: 1.538em;\">Thomas Sch\u00fctte<\/strong><span style=\"line-height: 1.538em;\">,<\/span><span class=\"apple-converted-space\" style=\"line-height: 1.538em;\">&nbsp;<\/span><strong style=\"font-family: Cambria; font-size: 12pt; line-height: 1.538em;\">Nari Ward <\/strong><span style=\"line-height: 1.538em;\">and significant works by<\/span><span class=\"apple-converted-space\" style=\"line-height: 1.538em;\">&nbsp;<\/span><strong style=\"font-family: Cambria; font-size: 12pt; line-height: 1.538em;\">Thomas Bayrle<\/strong><span style=\"line-height: 1.538em;\"> and<\/span><strong style=\"font-family: Cambria; font-size: 12pt; line-height: 1.538em;\"> Maurizio Cattelan<\/strong><span style=\"line-height: 1.538em;\">,<\/span><span class=\"apple-converted-space\" style=\"line-height: 1.538em;\">&nbsp;<\/span><span style=\"line-height: 1.538em;\">to cite just a few and keep your curiosity alive.<\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-family: 'book antiqua', palatino; font-size: medium;\"><a style=\"line-height: 1.538em;\" href=\"http:\/\/www.fondazionenicolatrussardi.it\" target=\"_blank\">www.fondazionenicolatrussardi.it<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Works of art by&nbsp;127 internationally famous artists and an exhibition layout that will cover some 2000 square meterson the piano nobile of Palazzo Reale.The Great Mother, from August 26&nbsp;to November 15 2015, is an exhibition about women\u2019s power: not just the life-giving creative power of mothers, but above all, the power denied to women and [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":2311,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[106],"tags":[2198,2742,4590,4591,1723,620],"class_list":["post-28543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-weekly-pick","tag-exibition","tag-expo-in-citt","tag-fondazione-nicola-trussardi","tag-la-grande-madre","tag-mostra","tag-palazzo-reale"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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