{"id":27289,"date":"2014-11-02T15:49:49","date_gmt":"2014-11-02T15:49:49","guid":{"rendered":"http:\/\/www.mfm.it\/\/?p=27289"},"modified":"2014-11-08T05:18:02","modified_gmt":"2014-11-08T05:18:02","slug":"sensual-charm-divine-marchioness","status":"publish","type":"post","link":"https:\/\/www.mfm.it\/en\/uncategorized\/sensual-charm-divine-marchioness\/","title":{"rendered":"THE SENSUAL CHARM OF THE DIVINE MARCHIONESS"},"content":{"rendered":"<p><!--[if gte mso 9]><xml>\n <o:DocumentProperties>\n  <o:Revision>0<\/o:Revision>\n  <o:TotalTime>0<\/o:TotalTime>\n  <o:Pages>1<\/o:Pages>\n  <o:Words>480<\/o:Words>\n  <o:Characters>2737<\/o:Characters>\n  <o:Company>PEC<\/o:Company>\n  <o:Lines>22<\/o:Lines>\n  <o:Paragraphs>6<\/o:Paragraphs>\n  <o:CharactersWithSpaces>3211<\/o:CharactersWithSpaces>\n  <o:Version>14.0<\/o:Version>\n <\/o:DocumentProperties>\n <o:OfficeDocumentSettings>\n  <o:AllowPNG><\/o:AllowPNG>\n  <o:PixelsPerInch>96<\/o:PixelsPerInch>\n  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*\/\ntable.MsoNormalTable\n\t{mso-style-name:\"Tabella normale\";\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-para-margin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:10.0pt;\n\tfont-family:Cambria;}\n<\/style>\n\n\n<![endif]--> <!--StartFragment--><span style=\"font-size: large;\"><span style=\"font-family: 'Book Antiqua'; color: #262626;\" lang=\"EN-GB\">From 4 October 2014 to 8 March 2015 within the splendour and romantic atmosphere of Venice, the exhibition at Fortuny mansion (closing date coincides with the Woman\u2019s Feast) will celebrate the myth of the woman who had captured Gabriele D&#8217;Annunzio most (as one of his many lovers) and who likewise, with her follies became the muse of the greatest artists of that time, from Boldini to Bakst, Marinetti to Balla, Man Ray to Alberto Martini, and Van Dongen to Romaine Brooks. Marchioness Casati was born in Milan in 1881, but the city she loved most was Venice, the stage on which her extravagant life unfolded and the ideal setting for this first extraordinary exhibition that highlights a modern woman, who at the dawn of the 20th century drew attention for her exaggerated makeup, transgressive performances and over-the-top lifestyle, transforming herself into a work of art and living legend. The exhibition counts over a hundred paintings, statues, jewels, clothes and photographs autographed by the greatest artists of that time, courtesy of museums and international collections gathered in the once famed workshop-home of Mariano Fortuny. Participating in this ode to the delights and allure of the \u201cDivine Marchioness\u201d are painters, sculptors and photographers who captured her charm: not&nbsp; only Alberto Martini, Augustus Edwin John, Giacomo Balla, Umberto Boccioni, Kes van Dongen, Baron Adolph de Meyer, Cecil&nbsp;Beaton but also Romaine Brooks, Ignacio Zuloaga, Jacob Epstein and Man Ray. The Marchioness was bizarre, extrovert, and wore real pythons around her neck, ostentating a nude look which only present-day Madonna could equal, and could be defined as a forerunner of performing art and the more modern body art. An elegant, fatal and perverse woman, she fascinates also the public, simple visitors and admirers of this fantastic and unique exhibition, liberating our minds on flights of fancy and poignant journeys of emotions. On moving to Paris at the start of the 1920s she became the icon of the avant garde movements. Years of squandering then left Luisa Amman Casati destitute, forced to sell all her property. The \u201cstolen\u201d shots during the London period, taken by Cecil Beaton \u2013 author also of the portrait of Marisa Berenson in the guise of Casati, painted in 1971 and courtesy of the &nbsp;National Gallery of Portraits in London \u2013 reveal a woman marked with the signs of time and difficulties, but always the knowing artifice of her own eternal image. In 1954 Jack Kerouac wrote, \u201cSan Francisco Blues,\u201d which gathers some poems dedicated to her. Her life ended in poverty in London 1957 where she lived in a one-room lodging, constantly wearing an old leopard-fur coat, convinced that she could communicate through telepathy with the birds. On June 1, after a spiritist ritual conducted with her friend Sydney Farner, she died in solitude, of a stroke. On 5 June she was buried with the stuffed&nbsp; spoils &nbsp;of her pet Pekinese and a pair of false lashes, at the Brompton cemetery in Kensington. Her funeral was attended only by her niece and a few friends. We want to remember her as the marvellous figure that she was, inviting all with MFM to appreciate these splendid &nbsp;images we selected for you<\/span><!--EndFragment--> <\/span><\/p>\n<p><span style=\"font-family: 'book antiqua', palatino; font-size: large;\"><span style=\"line-height: 1.538em;\">www.mostracasati.it<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From 4 October 2014 to 8 March 2015 within the splendour and romantic atmosphere of Venice, the exhibition at Fortuny mansion (closing date coincides with the Woman\u2019s Feast) will celebrate the myth of the woman who had captured Gabriele D&#8217;Annunzio most (as one of his many lovers) and who likewise, with her follies became the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2312,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1180,1179,1178,629],"class_list":["post-27289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-divina","tag-marchesa-casati","tag-palazzo-fortuny","tag-venezia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - 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